Created using my original Micopainting technique, this work begins with forest mushrooms as an artistic medium, later developed in oil.

The female body here is both exposed and guarded. Eva is beautiful and alive — yet her skin bears organic structures that become traces.
Traces of words, judgments, imposed standards, and silent taboos.
No matter how beautiful a woman appears, memory keeps what was said — casually or deliberately — about her body and desirability. Social narratives cling to the skin. The body may remain radiant, but the soul remembers.
The organic textures function as a metaphor for an inner archive. They spread across the surface like lived experience — not destroying, but embedding into identity.